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You have to honor the past and honor our collective memory while also having to do something new.” “So we were able to be like, ‘We’re gonna create an alternate universe where all these things can happen.’ That gave us some liberty, but we tried really hard to maintain the things that we already love about the characters, and then do more because you have to do both. “I do feel like this Hanna-Barbera universe is kind of a separate universe and acts as its own thing,” Cervone says. And according to Cervone, that’s exactly what they were going for. Scoob! takes the grand tradition of Hanna-Barbera crossovers and uses it to build what feels like the first entry in what could be a new cinematic universe. Heller chimes in, “So many animators wanted to animate that shot of the ascot, there were so many requests for it.” “When the trailer came out I was getting a lot of messages like, ‘Where is it? This is sacrilege.’ And I was like, ‘Do you think I’d forget it?’ Like after all these years do you think it wouldn’t make an appearance?” That vital bit of costume has a hilarious moment in Scoob! which will relieve fans who were dismayed at not seeing the ascot in the trailers for the film. We were able to look at those three years of fashion and realized there was like three months when young men wore ascots and that was when Fred was designed.”

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Every costume in that entire series comes out of one of those catalogs. “We wanted him to have it but we’re like, ‘How do we create a world where it’s normal for this guy to be walking around with this thing on?’ So we went and bought every clothing catalog we could from ’68, ’69, and ’70. “The visual design of that show was almost dominated by Fred’s Ascot,” the director laughs.

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Luckily, Cervone’s experience on Scooby: Doo: Mystery Incorporated gave him experience in how to deal with one of the most iconic and mystifying parts of Scooby-Doo: Fred’s bright red ascot. Of course, they also had to work out how these characters work in a modern context. So we were like, ‘Well, can we hide him with Shaggy going past?’ There was a lot of trying to find solutions where we had to solve those types of things.”

And I don’t know if we’ve ever seen his backside before when he’s walking in this traditional way. “And we did a test of him walking across the beach and then up a hill, and you saw his backside.

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“I remember there was a time we did a test because we were trying to crack his traditional walk,” Heller says. “How’s that going to work? Are we going to have to hide those angles? So we did a lot of testing early on, we just did turntables of him doing various things, just to see what he looks like from all angles.”Įven getting Scooby’s walk right was a journey for the team. “Scooby-Doo was designed to work 2D, so we had to explore multiple different angles that we knew that we were going to see in the film,” Heller says.

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How to bring a 2D world and its 2D cast of characters to a super-high-definition 3D landscape? The answer: trial and error…lots of it. Once the team had settled on the visual tone and language of the movie, they had another challenge.

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Scoob! Review: New Scooby-Doo Movie is Goofy and Charming By Rosie Knight And it always seemed to circle back to those original 1969 designs.” “We went down some roads that unfortunately we had to go down to realize where we needed to be going. “The things that worked, we used, and the things that didn’t work, we tried to alter to still capture the spirit of it,” Heller says. It took Heller and Cervone five years to land on the right balance between the modern and the original. “We literally went back to the original 1969 model sheets, through Tony’s direction, and tried to try to do that in 3D.” “It wasn’t so much redesigning the characters as looking at the original model sheets,” Heller says. So how did they get to the final versions that we see on screen? When the beautifully rendered animated character designs for Scoob! were first released, the internet went absolutely wild. The animated adventure centers around Scooby-Doo (Frank Welker) and Shaggy (Will Forte), alongside their usual cohorts Fred (Zac Efron), Daphne (Amanda Seyfried), and Velma (Gina Rodriguez). I remember thinking, ‘I want to live in a world where this could happen!'” And in a way, helming Scoob! has allowed Cervone to achieve that childhood dream, playing in a vast, immersive world that features many of the most iconic Hanna-Barbera characters. It was Don Knotts one week, and then Mama Cass or Laurel and Hardy. “I remember really loving the guest stars, wondering who was going to appear. “I think I was watching Scooby-Doo right from the beginning, “Cervone says. Director Tony Cervone was another early adopter of the classic cartoon series.

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